![]() He creates an uneasy feeling, a repetitiveness to the circus that Monk has to go through.īut in those moments, when Monk isn’t verbally grilled by Renaud, there is the beauty of music, the language in which Monk expresses himself best. Gomis emphasises the uneasiness of the interview with harsh cuts, artificial breathing and rowdy noise dissonances. ![]() The initial spark is another victimising question, asking whether Monk was too “avant-garde” for early 50s French audiences, that leads to his recollection of being provided with no musicians and less money than everyone else. The words spoken don’t fit the narrative. Then the one situation where Monk does speak up and shares something gets an “I think it's best if we erase it” by Renaud. ![]() Monk, remaining ever taciturn, stares away as the interview is basically being conducted without him. Presumably, it is of little interest to the jazz fan why Monk kept his piano in the kitchen in New York (all the other rooms were too small), or what he can tell him about Nellie (she is his wife and the mother of his kids). It is Renaud, descending into long monologues, often involving him and his prior encounters that try to dominate the story. It isn’t the musician talking about his relationship to music, his career or his influences. But “Jazz Portrait” and Renaud are less interested in striking up a conversation with the artist than in painting him in rather trivial colours and showering that with unnecessary personal side snippets. There is certainly knowledge and admiration for Monk’s work buried somewhere beneath the surface. Renaud, no professional journalist himself, sets out with the misguided mission to create a persona. ![]() This observation paves the way for the circus awaiting him at the interview recording. A trip to a bar and the petting of a dog solidify the idea that Monk isn’t a man of many words. The initial moment shows a happily chatting Nellie and Monk predominantly smoking quietly in the background. Gomis begins the arrangement of the footage with Thelonious Monk and his wife Nellie arriving in Paris. Monk, a talented but tragically misunderstood artist, Renaud is trying to convey to the audience. His face will be covered completely in sweat later on, and one can only guess how many hours he had spent under the bright studio lights playing the piano, with no make-up artist close by that could powder his face in the right shade. Monk is sitting next to him at the piano, staring uneasily due to his incomprehension of French, and smiling a polite smile. However, when you buy it, you need 1 extra Aa battery as this kit is not included.“Thelonious Monk wrote this piece at the start of the 1940s, but he had to wait until 1958 to become famous among jazz lovers.” It is an obvious narrative, that jazz pianist and host of the programme “Jazz Portrait,” Henri Renaud, is creating. With this product, you can remove the recording tab to ensure you don't accidentally remove the tape while in the adapter. This is one of the few motorized products so loading and unloading are quick and easy at this price point. Cassette Adaptor camcorders S-VHS VHS-C to VHS ORIGINAL sealed factory.Besides, the power consumption of this product is up to 7W, which makes it suitable for Ansi / Ul Std.1492. Mr110, Power supply: Ac 120V-160Hz, Power Consumption: Up to 7W Fit for Ansi / Ul Std.1492. Power supply: Ac 120V-160Hz, Memorex Vhs Rewinder Model No. With the dimensions: About 2.5 inches tall x 5.5 inches wide x 14 inches long, this is a compact product that you can take with you wherever you go.įor this product, the most talking point is the outstanding specifications. Besides, this product has an automatic start and stop function with Auto Soft Eject technology. This rewinder is one of those 1-way VHS rewind products with just the touch of a button. Kinyo UV-428 VHS Video Cassette Tape Rewinder.Besides, the product comes with a set of user manuals, helping you to troubleshoot problems when using it. When you use this product, it can automatically eject and stop.
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